VIBING REVIEW
SAVING LUNA | SAVING LUNA |
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| Written by Colette Gunson | |
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Title: Saving Luna
Co-Directed by Suzanne Chisholm &
Michael Parfit
Written by Michael Parfit
Produced by Suzanne Chisholm
Mountainside Films (Sidney, BC, Canada)
Length: 92 min
Language: English
Reviewed By: Colette Gunson (Vancouver Correspondent –
Canada)
Saving Luna is the extraordinary true story about the baby killer whale
that tried to befriend people after becoming separated from his pod. Normally,
orcas spend their entire lives with their families; but Luna, a two-year old
orca-child, was lost and alone. When he couldn’t find members of his own
species to interact with, he turned to people for companionship instead.
Winner of 17 international awards
including two “Green Oscar” Panda awards at Wildscreen, the world’s largest and
most prestigious environmental film festival, Saving Luna is a film that people of all ages and backgrounds can
enjoy.
Beautifully written with stunning high
definition footage of British Columbia’s majestic coastline, the film
transports audiences to Nootka Sound, a region halfway along the west coast of
Vancouver Island. This feature-length documentary carefully traces Luna’s life
for almost three years from 2004 to 2006 and raises difficult questions about
the relationship between humans and wild animals.
How are we supposed to react when a
young whale is trying so desperately to play with us? Do we acknowledge that he
is lonely and give him the attention that he seems to need or do we try to keep
our distance recognizing the dangers of an animal getting too close to human
activity? Should an attempt be made to reconnect him with his family? And if
so, what is the best way? This was the dilemma.
Luna’s atypical behavior created
mounting tensions between the Gold River residents, scientists, the Canadian Government,
and the local First Nations people. Everyone had different ideas as to what was
best for the little whale. The government tried to implement rules prohibiting
people from interacting with Luna, but the more people ignored him, the harder
Luna tried to entice them to play.
For the most part the story is told
from a strict journalistic standpoint—a balanced portrayal of the parties
involved in what the media often referred to as a “tug-of-whale” at the time.
At a certain point however, filmmakers Suzanne Chisholm and Michael Parfit are
overcome with compassion for the little whale and make a fundamental break from
their journalistic rules to try to help him.
In many documentaries this could be a
fatal move, jeopardizing the credibility of both the film and the filmmakers.
In this case, however, their decision to get involved with their subject is a
wonderful expression of the story’s primary theme and highlights the conflict
between our objective scientific rationale and our intuitive emotions. The
filmmakers are still very careful not to tell audiences what to think and leave
them to form their own opinions as they witness the story unfold.
It is clear that this charming and
spirited whale had a huge impact on the people who met him and the film offers
audiences a chance to observe these experiences up close. Saving Luna is a first-rate story that is sure to resonate with
people around the globe.
Saving Luna opens in Vancouver on December 5th at The Ridge
Theatre (3131 Arbutus Street). Other cities
to follow. Check local listings.
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