THEATRE/ARTS & CULTURE
THE COMPLETE PEANUTS (1967-1968) - Charles M. Schulz | THE COMPLETE PEANUTS (1967-1968) - Charles M. Schulz |
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| Written by Deborah Ground Buckner | |
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Author: Charles M. Schulz
Publishing
Company: Fantagraphics Books
Year: 2008
#
of Pages: 325
ISBN
#: 978-1-56097-826-8
Reviewed By: Deborah Ground Buckner (
The Complete Peanuts: 1967 to 1968, dailies and Sundays of Charles
Schulz's classic comic strips, demonstrates why Charlie Brown, Snoopy and the
gang were such a pervasive part of American culture. For the past several years, my children have
been collecting the volumes of Peanuts strips, starting with 1950. While it has been enjoyable to see the
beginnings of the strip and the introduction of characters, it was the strips
of the mid-1960s that truly made Charles Schulz's stamp on the world.
In
this volume, Snoopy's persona of the World War I Flying Ace (first introduced
in the strips from 1965-66) fully takes hold as he flies his Sopwith Camel into
battle against the Red Baron. The
African-American character of
In
the spirit of the 1968 elections, Snoopy marches with a placard bearing a paw
print; he is obviously running for something, though it is not clear just
what. I confess proudly to having had an
official “Snoopy for President” campaign pin.
We also learn in this volume that Charlie Brown was not the original
owner of Snoopy and meet Lila, Snoopy's first human friend. Snoopy's ongoing enmity with the “stupid cat
next door” also takes root.
Charlie
Brown's little sister, Sally, grows up enough to begin kindergarten, and all
her anxieties about taking this first step in the public school process rage
across the pages. Her discovery of how
wonderful a school day can be is inspirational to every child facing that major
rite of passage.
Of
course, the philosophical Linus, the music Schroeder, the fuss-budget Lucy,
Patty, Violet, Shermy, and the rest of the gang are present, caught up in the
story lines that made “Peanuts” one of the most-read comic strips of all time.
These editions are a welcome bit of nostalgia, but an even greater treat for those who are reading Schulz's work for the first time. |
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