CURRENT MUSIC RELEASES
THE TEMPEST - Bard On The Beach, Vancouver, Canada | THE TEMPEST - Bard On The Beach, Vancouver, Canada |
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| Written by Tessa Perkins | |
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Reviewed By: Tessa Perkins (Vancouver Correspondent - Canada) Set on a tropical island filled with supernatural beings, The Tempest blends the influences of Jacobean London with the earthy, magical atmosphere of the island. The characters of the play are all trying to determine what their identity is and they struggle to find themselves on this charmed island. Throughout the entire play, the comedic characters and enchanting spirits make for a captivating performance. With beautiful costumes, wonderful live musicians, and amazing acrobatics, The Tempest is truly a joy to behold. Prospero (Morgan) and his daughter, Miranda (McIsaac), are shipwrecked on a deserted but enchanted island after his brother Antonio (Murphy) and Alonso the King of Naples (Bradbury) have usurped his throne of Milan. The play begins fifteen years later when the courtiers of Milan and Naples become shipwrecked on the same island. Ariel (Lines) is Prospero's spirit of the air whom he has control over, and she stands out as the star of the play, perfectly suited her character. Her mannerisms and voice transform her into an airy sprite with windswept hair and transparent wings. The other spirits of the island are also captivating as they perform acrobatic poses together and back-flip and leap everywhere. They do not have any speaking parts, but they have a strong and meaningful presence while they contribute to the action and the humour.
The romance that forms between Miranda and Ferdinand, the son of Alonso (Dolynski), is well acted by the two and they are often in their own world. The two are so taken with each other that they are engaged the same day they meet. Miranda has never seen any other men before, but she says that Ferdinand is the only one she would ever want to be with. There is a wedding for the two, but the revelry is put to a stop when Prospero remembers that Ariel told him of Caliban's plot to kill him. Prospero is the anchor to the play around whom all the action revolves. He commands the spirits, sets up Ferdinand and Miranda to fall in love, and restores everything to its rightful state in the end. He is a forceful presence not to be reckoned with in his long flowing green and blue robes, carrying his tree branch, and giving orders to his faithful Ariel. The musicians who played a violin, viola, and cello/bass were on stage during the play and the music complimented the action splendidly, as did the costumes and the stage design. None of the characters come to any great physical harm, and the ending is quite peaceful and melancholy which makes for a change from most of Shakespeare's work. This play has been my favourite of the shows this season, and it certainly seemed as if the rest of the audience felt the same way as there were few not giving an enthusiastic standing ovation after Prospero's final profound line: "As you from crimes would pardon'd be,/Let your indulgence set me free." |
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CONTEST!
CARTS OF
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The National Film Board Of Canada is giving away
2 DVDs of the Documentary "Carts Of Darkness" released on December
5th.
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TOP FICTION
WEEK OF DECEMBER 1st
1.
CROSS COUNTRY, James Patterson |
WEEK OF DECEMBER 1st
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